{"id":1422,"date":"2017-11-15T21:31:09","date_gmt":"2017-11-16T02:31:09","guid":{"rendered":"http:\/\/www.issendai.com\/16thcenturyistanbul\/?page_id=1422"},"modified":"2019-03-08T11:27:02","modified_gmt":"2019-03-08T16:27:02","slug":"illustrated-guide-to-the-layers","status":"publish","type":"page","link":"https:\/\/www.issendai.com\/16thcenturyistanbul\/womens-garb-piece-by-piece\/illustrated-guide-to-the-layers\/","title":{"rendered":"An Illustrated Guide to the Layers"},"content":{"rendered":"<p><a href=\"http:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/Harem-scene-Vin-8656-small.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1450\" src=\"http:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/Harem-scene-Vin-8656-small.png\" alt=\"\" width=\"879\" height=\"600\" srcset=\"https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/Harem-scene-Vin-8656-small.png 879w, https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/Harem-scene-Vin-8656-small-300x205.png 300w, https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/Harem-scene-Vin-8656-small-768x524.png 768w, https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/Harem-scene-Vin-8656-small-150x102.png 150w\" sizes=\"auto, (max-width: 879px) 100vw, 879px\" \/><\/a><\/p>\n<p>The hardest part of Turkish clothing is figuring out the layers. You&#8217;ve got long robes and short robes and bits poking out and layers on top and layers underneath and layers that must have been added just to make you tear your hair out, and which ones do you wear and what do they mean and <em>aaaaaaaaaaaugh I&#8217;m going back to Italian ren<\/em>.<\/p>\n<p>But it&#8217;s easy. It&#8217;s really, really easy. 16th-century Ottoman Turkish women wore only a few layers, all predefined, with far fewer variations than their European counterparts. Once you know what a woman should be wearing, it&#8217;s child&#8217;s play to look at a picture and assign each visible piece to a garment.<\/p>\n<p>Let&#8217;s start with how women dressed at home. This outfit&#8211;minus the pattens&#8211;is the minimum a woman could wear to call herself fully dressed.<\/p>\n<div id=\"attachment_1430\" style=\"width: 544px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/beauty.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1430\" class=\"wp-image-1430 size-full\" src=\"http:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/beauty.png\" alt=\"\" width=\"534\" height=\"671\" srcset=\"https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/beauty.png 534w, https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/beauty-239x300.png 239w, https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/beauty-119x150.png 119w\" sizes=\"auto, (max-width: 534px) 100vw, 534px\" \/><\/a><p id=\"caption-attachment-1430\" class=\"wp-caption-text\">&#8220;Cak\u015f\u0131r&#8221; is incorrect. It should say &#8220;don.&#8221;<\/p><\/div>\n<div style=\"float: right; width: 50%; padding: 1em;\">\n<h4>Pronunciation<\/h4>\n<p><strong>\u00c7ak\u015f\u0131r:<\/strong> chahk-shr\u00a0<a href=\"https:\/\/translate.google.com\/#tr\/en\/%C3%A7ak%C5%9F%C4%B1r\" target=\"_blank\" rel=\"noopener noreferrer\"><i class=\"fa fa-volume-up \" ><\/i><\/a><\/p>\n<p><strong>G\u00f6mlek:<\/strong> like gurm-lek, but without the R\u00a0<a href=\"https:\/\/forvo.com\/word\/tr\/g%C3%B6mlek\/#tr\" target=\"_blank\" rel=\"noopener noreferrer\"><i class=\"fa fa-volume-up \" ><\/i><\/a><\/p>\n<p><strong>Z\u0131b\u0131n:<\/strong>\u00a0The dotless\u00a0\u0131 is a schwa, the amorphous vowel that&#8217;s represented by the O in &#8220;button&#8221; or the E in &#8220;raven,&#8221; so z\u0131b\u0131n\u00a0is pronounced something like z&#8217;b&#8217;n.\u00a0<a href=\"https:\/\/translate.google.com\/#tr\/en\/z%C4%B1b%C4%B1n\" target=\"_blank\" rel=\"noopener noreferrer\"><i class=\"fa fa-volume-up \" ><\/i><\/a><\/p>\n<\/div>\n<p>From the skin out, a woman wore trousers (<em>don<\/em> or \u00e7<em>ak\u015f\u0131r<\/em>), a\u00a0long shift (<em>g\u00f6mlek<\/em>), and a hip-length jacket called a <em>z\u0131b\u0131n<\/em>. In modern terms, the trousers, g\u00f6mlek, and z\u0131b\u0131n are analogous to pants, camisole, and blouse.<\/p>\n<p>There are a couple of variations for each garment:<\/p>\n<ul>\n<li>Trousers could be loose and plain (<em>don<\/em>\u2014technically underwear, but women wore them as trousers), or fitted and made of showy fabrics (<em>\u00e7ak\u015f\u0131r<\/em>).<\/li>\n<li>Most women&#8217;s trousers were full-length, but a few women owned knee-length trousers, which <a href=\"http:\/\/issendai.com\/ottoman-turkish\/seated-woman-by-jacopo-ligozzi\/\" target=\"_blank\" rel=\"noopener noreferrer\">don&#8217;t show in pictures<\/a>.<\/li>\n<li>The\u00a0g\u00f6mlek could have angel-wing sleeves like the woman above, or extra-long, tight-fitting sleeves like the seated woman in the center of the picture at the top of this page. Angel-wing sleeves were by far the most common.<\/li>\n<li>Most women&#8217;s\u00a0g\u00f6mleks were long, with the hem varying between mid-calf and ankle depending on the fashion. However, occasionally women wore g\u00f6mleks that were shorter than the\u00a0z\u0131b\u0131n, so they appeared not to be wearing a g\u00f6mlek at all.<\/li>\n<li>The\u00a0z\u0131b\u0131n could be collarless, or have a small standing collar like the woman above.<\/li>\n<li>The\u00a0z\u0131b\u0131n could be sleeveless, short-sleeved, or long-sleeved.<\/li>\n<\/ul>\n<p>Short-sleeved\u00a0z\u0131b\u0131ns could be accessorized with detachable sleeves in a different fabric.<span id='easy-footnote-1-1422' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/www.issendai.com\/16thcenturyistanbul\/womens-garb-piece-by-piece\/illustrated-guide-to-the-layers\/#easy-footnote-bottom-1-1422' title='Men also wore detachable sleeves, but based on visual evidence, men&amp;#8217;s sleeves always matched their\u00a0z\u0131b\u0131n, while women&amp;#8217;s were often in a different fabric.'><sup>1<\/sup><\/a><\/span> This is a point that confuses the hell out of many people, because it looks like the woman is wearing another garment under her\u00a0z\u0131b\u0131n, but there&#8217;s no garment under the\u00a0z\u0131b\u0131n except the\u00a0g\u00f6mlek, but <em>she&#8217;s wearing another garment and <strong>that garment doesn&#8217;t exist<\/strong> and aaaaaaugh where&#8217;s my Italian Ren.<\/em><\/p>\n<p>This is what a woman in\u00a0z\u0131b\u0131n and detachable sleeves looks like:<\/p>\n<p><a href=\"http:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/woman-in-detachable-sleeves.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1444\" src=\"http:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/woman-in-detachable-sleeves.png\" alt=\"\" width=\"298\" height=\"688\" srcset=\"https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/woman-in-detachable-sleeves.png 298w, https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/woman-in-detachable-sleeves-130x300.png 130w, https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/woman-in-detachable-sleeves-65x150.png 65w\" sizes=\"auto, (max-width: 298px) 100vw, 298px\" \/><\/a><\/p>\n<p>The vast majority of images of women in at-home dress look like the two pictures above: short-sleeved\u00a0z\u0131b\u0131n, long\u00a0g\u00f6mlek, loose trousers. However, make a few changes, and a woman<span id='easy-footnote-2-1422' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/www.issendai.com\/16thcenturyistanbul\/womens-garb-piece-by-piece\/illustrated-guide-to-the-layers\/#easy-footnote-bottom-2-1422' title='Or in this case, an unmarried girl (&lt;em&gt;k\u0131z&lt;\/em&gt;).'><sup>2<\/sup><\/a><\/span> who&#8217;s wearing almost the exact same layers looks completely different:<\/p>\n<p><a href=\"http:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/kiz-annotated.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1443\" src=\"http:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/kiz-annotated.png\" alt=\"\" width=\"528\" height=\"678\" srcset=\"https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/kiz-annotated.png 528w, https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/kiz-annotated-234x300.png 234w, https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/kiz-annotated-117x150.png 117w\" sizes=\"auto, (max-width: 528px) 100vw, 528px\" \/><\/a><\/p>\n<p><em>Apologies for the coat. I know of only three pictures of women in short\u00a0g\u00f6mleks, and the other two are wearing kaftans.<\/em><\/p>\n<p>When you&#8217;re faced with a picture that doesn&#8217;t match the usual silhouette, assume the woman is wearing the same layers, and work from there.<\/p>\n<p>The\u00a0z\u0131b\u0131n is casualwear, at-home-wear, lounging-in-the-garden-wear, chopping-carrots-for-dinner-wear. If a woman planned to appear before anyone who wasn&#8217;t her immediate family, she added the formal layer of dress, a kaftan.<\/p>\n<p><a href=\"http:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/young-woman-in-blue.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1452\" src=\"http:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/young-woman-in-blue.jpg\" alt=\"\" width=\"280\" height=\"522\" srcset=\"https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/young-woman-in-blue.jpg 560w, https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/young-woman-in-blue-161x300.jpg 161w, https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/young-woman-in-blue-550x1024.jpg 550w, https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/young-woman-in-blue-81x150.jpg 81w\" sizes=\"auto, (max-width: 280px) 100vw, 280px\" \/><\/a><\/p>\n<p>Kaftans, like\u00a0z\u0131b\u0131ns, could be collared or collarless, short-sleeved or long-sleeved. (But not sleeveless.) They varied very little in length, from slightly above the ankle to brushing the tops of the feet.<\/p>\n<p>Because a kaftan covers the rest of a woman&#8217;s clothes and has few variations, it&#8217;s easy to pick the kaftan out of any ensemble. The potential confusion comes, again, from detachable sleeves. A kaftan could be worn over a z\u0131b\u0131n with detachable sleeves; we also know, from extant garments in the Topkap\u0131 Palace collection, that sleeves could be buttoned into a kaftan. There&#8217;s no way to tell whether a woman in a drawing is wearing sleeves buttoned into her\u00a0z\u0131b\u0131n or her\u00a0kaftan. If no other part of the woman&#8217;s\u00a0z\u0131b\u0131n is showing, it&#8217;s also not possible to tell whether her sleeves are detachable, or whether she&#8217;s wearing a long-sleeved\u00a0z\u0131b\u0131n. <strong>But,<\/strong> if a flap of her\u00a0z\u0131b\u0131n pokes out the front of her kaftan, a mismatch between the flap and her sleeves means her sleeves are detachable:<\/p>\n<div id=\"attachment_1453\" style=\"width: 284px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/woman-4-briefe-relation-small.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1453\" class=\"wp-image-1453 size-full\" src=\"http:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/woman-4-briefe-relation-small.png\" alt=\"\" width=\"274\" height=\"625\" srcset=\"https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/woman-4-briefe-relation-small.png 274w, https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/woman-4-briefe-relation-small-132x300.png 132w, https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/woman-4-briefe-relation-small-66x150.png 66w\" sizes=\"auto, (max-width: 274px) 100vw, 274px\" \/><\/a><p id=\"caption-attachment-1453\" class=\"wp-caption-text\">Lavender z\u0131b\u0131n, blue-and-silver brocade detachable sleeves<\/p><\/div>\n<p>For warmth, women wore a variety of overcoats, from the (unnamed) full-length coat with hanging sleeves that the girl above has draped over her shoulders, to the tea-length <em>k\u00fcrdiyye<\/em>, to the knee-length <em>dolama<\/em>, to the hip-length <em>yelek<\/em>. The k\u00fcrdiyye and dolama don&#8217;t appear in pictures of women, though we know they owned them, and the full-length coat appears very rarely. The most common overcoat women are shown wearing is the yelek, a short jacket that could be sleeveless or short-sleeved and collared or collarless. A woman could wear it over her kaftan, or if she was at home, over her\u00a0z\u0131b\u0131n.<\/p>\n<p><a href=\"http:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/nigar-wife-or-beauty-small.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1456\" src=\"http:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/nigar-wife-or-beauty-small.png\" alt=\"\" width=\"346\" height=\"692\" srcset=\"https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/nigar-wife-or-beauty-small.png 346w, https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/nigar-wife-or-beauty-small-150x300.png 150w, https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-content\/uploads\/2017\/11\/nigar-wife-or-beauty-small-75x150.png 75w\" sizes=\"auto, (max-width: 346px) 100vw, 346px\" \/><\/a><\/p>\n<p>Note the position of the belt. The belt goes over the innerwear and under the outerwear. This never changes, so if you can&#8217;t tell whether a garment is a coat or a kaftan, look for the belt.<\/p>\n<p>And now we&#8217;re done with the layers.<\/p>\n<p>No, really. That&#8217;s it. Pants, shift,\u00a0z\u0131b\u0131n, kaftan, belt, overcoat.<\/p>\n<p>Accessories? Accessories are all over the map. Hats go from pillbox-shaped to conical to cylindrical, and you put one veil over them and another around them and tie something else around them&#8211;or around your head, whatever, fashion is all about thinking outside the box. There are shoes that go inside shoes that go inside pattens. There are a dozen ways to tie a scarf-belt, and then they introduce belts made of leather or plaques and start designing buckles that a Texan would think were over the top. But regardless of the shape of the accessory, a woman always wore <em>a<\/em> hat, and <em>a<\/em> belt, and (usually) a pair of shoes. And also\u00a0pants, shift,\u00a0z\u0131b\u0131n, kaftan, and maybe an overcoat.<\/p>\n<p>One more point of interest is that there was no duplication of layers. A woman always wore one\u00a0z\u0131b\u0131n; she wouldn&#8217;t wear two, any more than you would wear two blouses or two sweaters. There was also no omission of layers. A woman wouldn&#8217;t wear a kaftan without a\u00a0z\u0131b\u0131n, any more than you would put on a suit jacket without a shirt. If an essential garment appears to be missing, it&#8217;s covered by the other garments; if it appears to be duplicated, then one of the elements actually belongs to another garment.<\/p>\n<p>(Or is a pair of sleeves.)<\/p>\n<p>So when you&#8217;re faced with a picture of a woman&#8211;or when you&#8217;re planning an outfit for yourself&#8211;remember:\u00a0pants, shift,\u00a0z\u0131b\u0131n, kaftan, belt, overcoat. And you&#8217;re done.<\/p>\n<p><a class=\"backbutton\" href=\"http:\/\/www.issendai.com\/16thcenturyistanbul\/womens-garb-piece-by-piece\/\"><i class=\"fa fa-long-arrow-left \" ><\/i>\u00a0 Women&#8217;s Garb, Piece by Piece<\/a>\u00a0<a class=\"nextbutton\" href=\"http:\/\/www.issendai.com\/16thcenturyistanbul\/womens-garb-piece-by-piece\/don-underpants\/\">Don | <em>Underpants<\/em>\u00a0 <i class=\"fa fa-long-arrow-right \" ><\/i><\/a><\/p>\n<hr style=\"clear: both;\" \/>\n","protected":false},"excerpt":{"rendered":"<p>The hardest part of Turkish clothing is figuring out the layers. You&#8217;ve got long robes and short robes and bits poking out and layers on top and layers underneath and layers that must have been added just to make you tear your hair out, and which ones do you wear\u2026<\/p>\n<p class=\"continue-reading-button\"> <a class=\"continue-reading-link\" href=\"https:\/\/www.issendai.com\/16thcenturyistanbul\/womens-garb-piece-by-piece\/illustrated-guide-to-the-layers\/\">Continue reading<i class=\"crycon-right-dir\"><\/i><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1043,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[87],"tags":[],"class_list":["post-1422","page","type-page","status-publish","hentry","category-ottoman-turkish-clothing"],"_links":{"self":[{"href":"https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-json\/wp\/v2\/pages\/1422","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-json\/wp\/v2\/comments?post=1422"}],"version-history":[{"count":35,"href":"https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-json\/wp\/v2\/pages\/1422\/revisions"}],"predecessor-version":[{"id":2284,"href":"https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-json\/wp\/v2\/pages\/1422\/revisions\/2284"}],"up":[{"embeddable":true,"href":"https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-json\/wp\/v2\/pages\/1043"}],"wp:attachment":[{"href":"https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-json\/wp\/v2\/media?parent=1422"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-json\/wp\/v2\/categories?post=1422"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.issendai.com\/16thcenturyistanbul\/wp-json\/wp\/v2\/tags?post=1422"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}