Turkish Houses

I suppose you have read, in most of our accounts of Turkey, that their houses are the most miserable pieces of building in the world. I can speak very learnedly on that subject, having been in so many of them; and, I assure you, ’tis no such thing. We are now lodged in a palace belonging to the grand signior. I really think the manner of building here very agreeable, and proper for the country. ‘Tis true, they are not at all solicitous to beautify the outsides of their houses, and they are generally built of wood; which, I own, is the cause of many inconveniencies; but this is not to be charged on the ill taste of the people, but on the oppression of the government. Every house, at the death of its master, is at the grand signior’s disposal; and therefore, no man cares to make a great expence, which he is not sure his family will be the better for. All their design is to build a house commodious, and that will last their lives; and they are very indifferent if it falls down the year after. Every house, great and small, is divided into two distinct parts, which only join together by a narrow passage. The first house has a large court before it, and open galleries all round it, which is to me a thing very agreeable. This gallery leads to all the chambers, which are commonly large, and with two rows of windows, the first being of painted glass; they seldom build above two stories, each of which has galleries. The stairs are broad, and not often above thirty steps. This is the house belonging to the lord, and the adjoining one is called the haram, that is, the ladies apartment, (for the name of seraglio is peculiar to the grand signior;) it has also a gallery running round it towards the garden, to which all the windows are turned, and the same number of chambers as the other, but more gay and splendid, both in painting and furniture. The second row of windows is very low, with grates like those of convents; the rooms are all spread with Persian carpets, and raised at one end of them (my chambers are raised at both ends) about two feet. This is the sofa, which is laid with a richer sort of carpet, and all round it a sort of couch, raised half a foot, covered with rich silk, according to the fancy or magnificence of the owner. Mine is of scarlet cloth, with a gold fringe; round about this are placed, standing against the wall, two rows of cushions, the first very large, and the next, little ones; and here the Turks display their greatest magnificence. They are generally brocade, or embroidery of gold wire upon white sattin.—Nothing can look more gay and splendid. These seats are also so convenient and easy, that I believe I shall never endure chairs as long as I live.—The rooms are low, which I think no fault, and the ceiling is always of wood, generally inlaid or painted with flowers. They open in many places, with folding doors, and serve for cabinets, I think, more conveniently than ours. Between the windows are little arches to set pots of perfume, or baskets of flowers. But what pleases me best, is the fashion of having marble fountains in the lower part of the room, which throw up several spouts of water, giving, at the same time, an agreeable coolness, and a pleasant dashing sound, falling from one basin to another. Some of these are very magnificent. Each house has a bagnio, which consists generally in two or three little rooms, leaded on the top, paved with marble, with basins, cocks of water, and all conveniencies for either hot or cold baths.

YOU will perhaps be surprised at an account so different from what you have been entertained with by the common voyage-writers, who are very fond of speaking of what they don’t know. It must be under a very particular character, or on some extraordinary occasion, that a Christian is admitted into the house of a man of quality; and their harams are always forbidden ground. Thus they can only speak of the outside, which makes no great appearance; and the womens apartments are always built backward, removed from sight, and have no other prospect than the gardens, which are inclosed with very high walls. There are none of our parterres in them; but they are planted with high trees, which give an agreeable shade, and, to my fancy, a pleasing view. In the midst of the garden is the chiosk, that is, a large room, commonly beautified with a fine fountain in the midst of it. It is raised nine or ten steps, and inclosed with gilded lattices, round which, vines, jessamines, and honey-suckles, make a sort of green wall. Large trees are planted round this place, which is the scene of their greatest pleasures, and where the ladies spend most of their hours, employed by their music or embroidery.—In the public gardens, there are public chiosks where people go, that are not so well accommodated at home, and drink their coffee, sherbet, &c.—Neither are they ignorant of a more durable manner of building: their mosques are all of free-stone, and the public hanns, or inns, extremely magnificent, many of them taking up a large square, built round with shops under stone arches, where poor artificers are lodged gratis. They have always a mosque joining to them, and the body of the hann is a most noble hall, capable of holding three or four hundred persons, the court extremely spacious, and cloisters round it, that give it the air of our colleges. I own, I think it a more reasonable piece of charity than the founding of convents.—I think I have now told you a great deal for once. If you don’t like my choice of subjects, tell me what you would have me write Upon; there is nobody more desirous to entertain you, than, dear Mrs T——, Your’s, &c. &c.

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